
One of our daughters found my wife’s battered, tattered and beloved copy the other day, and it happened when a camera was handy…
Like mother, like daughter(s).
After Little Women, she read Orwell’s 1984.
Like father, like daughter. 😉
Writing Lives…lots of them…all the time…day and night…awake and asleep…I can't control it…
My first novel – historical military fiction – made it to the top 10 of 9 of Amazon's bestseller lists. Via my blog I share what I have learned while writing two more.

One of our daughters found my wife’s battered, tattered and beloved copy the other day, and it happened when a camera was handy…
Like mother, like daughter(s).
After Little Women, she read Orwell’s 1984.
Like father, like daughter. 😉
As I continue to edit my work in progress and think about meeting readers’ expectations, especially when it comes to descriptive writing, I recently came across and interesting review of Peter Mendelsund’s What We See When We Read, “a book that explores how people imagine and remember the things they read.”
I’ve always been loath to write (and dislike reading) detailed descriptions of characters and settings. I’m OK with details that surface as the story progresses when they are relevant, but one of the fastest ways for me to lose interest in a book or story is a front-loaded block of description sentences which have no other purpose, and an abundance of adjectives and adverbs. She was tall and had green eyes. She stepped over the puddles with her long legs while smiling at Bob, showing off her perfect, white teeth… Ugh.
Continue reading “Descriptive Writing, Agency, Telling Details, and Adjectives”