The never ending “show vs tell” debate came up again in one of my writing workshops. I’ve written about it before (in fact, it is still one of my most popular blogs). To keep the story short, it occurred to me that when to show vs. tell, or perhaps when to show AND tell is also partly a function of timing and characterization. This is because we have to train the reader and make sure general perceptions about what body language shows are precise for our specific and distinct characters.
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Descriptive Writing, Agency, Telling Details, and Adjectives
Descriptive Writing
As I continue to edit my work in progress and think about meeting readers’ expectations, especially when it comes to descriptive writing, I recently came across and interesting review of Peter Mendelsund’s What We See When We Read, “a book that explores how people imagine and remember the things they read.”
I’ve always been loath to write (and dislike reading) detailed descriptions of characters and settings. I’m OK with details that surface as the story progresses when they are relevant, but one of the fastest ways for me to lose interest in a book or story is a front-loaded block of description sentences which have no other purpose, and an abundance of adjectives and adverbs. She was tall and had green eyes. She stepped over the puddles with her long legs while smiling at Bob, showing off her perfect, white teeth… Ugh.
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Damnation or Illumination? A Review of The Damnation of Theron Ware
The Damnation of Theron Ware, by Harold Frederic, is considered one of the classic novels of American literature. Published in 1896, it is a realistic portrayal of a Methodist pastor (Theron Ware) in upstate New York. Of note, the novel was also published with the title Illumination, which in some ways is a more accurate (if less dramatic) depiction of Ware’s travails. In modern terms, it is the story of a man in mid-life crisis, who makes some bad decisions when he finds himself in a new environment. But just as the proof is in the pudding, the tale is in the telling…
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How to use Free Indirect Discourse to strengthen your Fiction
Free Indirect Discourse (also called Free Indirect Speech) seems a clunky mouthful, but it is also a powerful tool to make your writing more intimate when used in proper measure. Wikipedia says: “What distinguishes Free Indirect [Discourse; FID for short] from normal indirect speech is the lack of an introductory expression such as ‘He said’ or ‘he thought’. It is as if the subordinate clause carrying the content of the indirect speech is taken out of the main clause which contains it, becoming the main clause itself. Using [FID] may convey the character’s words [and thoughts] more directly than in normal indirect.”
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How to successfully submit your work in a fiction writing workshop
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Review: Lisa Cron’s Wired for Story
I believe we live in a universe governed by laws of causes and effects even though we don’t yet fully understand all the causes and all the effects. When it comes to art, in particular, it is immensely difficult to know what cause will result in which effect. So it is tremendously difficult in the realm of words to know which sentence, which metaphor, which plot device will resonate with a majority of your targeted genre’s readers and turn a bunch of words into a great story. Though we don’t know these things with precision, I do believe that there are quantifiable causes and effects in play.
Wired for Story is Lisa Cron’s assertion that we do in fact have (some) science in the realm of writing that enables us to understand the causes and effects of good storytelling.
Exceptional Review of Apocalypse Now
Apocalypse Now is one of the “best” movies ever made, in my opinion (acknowledging that “best” is in the eye of the beholder, though there are a lot of people that think this). More than that, it is a brilliantly told story, albeit the storytelling is via a movie. Of course, it is a retelling of Conrad’s Heart of Darkness. In case you have missed it, the story is about the descent of one man into insanity to confront another who has already descended to that place. Who knew there is an exceptionally thoughtful review of it on YouTube?
Creative Writing Professor Takes Time To Give Every Student Personalized False Hope – The Onion – America’s Finest News Source
Dune and Writing Rules
In my writing workshop a long debate broke out about adverbs. Why they are evil, when they are needed and when they are not. The participants even offered example sentences of good and bad use of adverbs and when they are and are not needed for clarity.
This is killing me…